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Direct wholesale diamond access◆New York Metro — in-person & nationwide by video◆Independently certified stones only

Bespoke & custom

Something that exists only once

Most of our commissions start as a screenshot, a sketch on a napkin, or a ring in a velvet box that belonged to someone else. From there it is drawing, CAD, wax, stone selection and the bench — four to six weeks, and you see every stage.

Start a design inquiry

Hand-drawn ring sketches, a CAD rendering, a wax model and loose diamonds on a cream desk
Custom gold Torah scroll pendant with a diamond Star of David and openwork menorah, on a franco chain

Anchor commission

The Torah scroll pendant

The piece we point to when a client asks what is actually possible. A miniature Torah scroll in gold, built as a hollow openwork case with turned finials, a menorah panel pierced by hand, and a diamond Star of David crowning the top — with diamonds carried around both scroll caps.

Every element was drawn, cast and set for one client. It cannot be reordered from a catalog: the same brief can be built again, but it is a new commission each time, priced from the drawing.

Gold karat, gold weight, diamond count and total carat weight are all on the workshop paperwork rather than published here — we quote from the record, not from memory.

A custom diamond infinity pendant, the personalized lettering and number on its loops deliberately obscured to protect the client who commissioned it

The lettering and the number on this pendant are blurred at the owner’s request. It is a finished commission for a named client, and their word is theirs rather than ours to publish — the diamond work, the drawing and the proportions are untouched.

Personalized commissions

A name, a date or a number — set in diamonds

The most-requested commission in the workshop is also the hardest to do well: a word made out of stones. Not engraved, not stamped — drawn as letterforms and pavé-set, so it reads as jewelry rather than as text on metal.

The pendant here is a finished client piece: an infinity loop in pavé, carrying a word in pavé-set letters and a number in baguettes. Two cuts, deliberately — round stones for the letters and step cuts for the digits — so the two halves of the message stay legible instead of blurring into one line of light. What that word and that number actually are stays with the client, which is why they are blurred here.

  • Names and initials. A partner’s name, a child’s name, a set of initials, in English or Hebrew letterform.
  • Numbers that mean something. A jersey number, an anniversary, a date of birth, an address — in baguettes, brilliants or a mix.
  • Words, not just names. A single word from a vow, a nickname nobody else uses, a team, a city.
  • Drawn to read. We letter-space and weight each character to the scale of the piece, and we will tell you before you commit if a word is too long to stay legible at pendant size.

Priced from the drawing: character count, gold weight and stone count decide the figure, so no two quotes match. Specifications and pricing on request.

The design journey

Four steps, no surprises

You approve the drawing before the stone is bought, and the stone before anything is set. Nothing moves forward without your yes.

01

Brief

A 15-minute call to gather references, budget, finger size and the story behind the piece. We tell you plainly what your budget buys.

02

Drawing & CAD

Hand sketches first, then a photoreal CAD rendering from three angles. Revisions are included until it is right.

03

Stone selection

Three to five certified diamonds sourced at wholesale to fit the design, with reports and videos side by side.

04

Bench & delivery

Cast, hand-set and finished by New York bench jewelers, independently appraised, then delivered insured.

Setting construction

What you are actually paying the bench for

Two rings can hold the same certified stone and differ by thousands. The difference is almost never the diamond — it is the twenty hours of setting work you only see in profile. Below is one ring from current inventory, photographed three ways, because no single frame shows you all three things worth paying for.

Profile macro of a round diamond solitaire in a cathedral setting with a hidden halo and a three-row micropavé shank
01 · Pavé baskets and prongs

Diamonds set into the prongs themselves

Each bead has to hold a stone without weakening the metal holding the center. It is slow, it is done under a microscope, and it cannot be faked in a casting — which makes a pavé basket the single most reliable indicator of bench quality on a solitaire.

Specifications on request

Profile macro of a round diamond solitaire with pavé-set prongs and basket above a three-row pavé shank
02 · What reads as a hidden halo

A collar of light nobody else sees

Set pavé into the basket under the center stone and, seen from above, it reads as a hidden halo — a collar of light beneath the diamond that is invisible from the face and belongs to the wearer alone. It is the same construction as card one, photographed from a different angle, and it is the first thing a cheap copy leaves out.

Specifications on request

Profile macro of a round diamond solitaire in a six-prong head above a tapered micropavé shank
03 · Micropavé shanks

Three rows, tapering toward the head

Micropavé means stones under about 1.2 mm, bead-set by hand in rows that have to stay perfectly straight around a curve. Taper the shank as it approaches the head and the center stone reads larger — a proportion trick, executed in metal.

Specifications on request

How to use this when you brief us

Tell us which of the three details you want and the quote changes shape immediately: a pavé basket adds real bench hours; a six-prong head trades a little spread for security; a three-row shank adds stones and a yearly prong check. None of it is necessary, all of it is visible, and you should know which you are buying before the metal is poured. The ring photographed above is listed in the collection — or ask us to walk you through all three.

Recent commissions

Made once, for one person

Our own work, our own photographs. Each began as a conversation, not a catalog number — so each is quoted from its drawing rather than priced on a shelf.

Rose gold openwork floral diamond drop earring worn at the ear, seen in profile
Earrings · cluster

Rose gold floral cluster earrings

Petal clusters built up in rose gold and set on the ear rather than dropped from it, so the outline stays flat against the lobe. Commissioned as a pair, matched cluster for cluster.

Specifications on request

Yellow gold Star of David inside a twisted rope circle with a bezel-set diamond center, in its presentation box
Symbols of faith · everyday

Rope-circle Star of David, bezel diamond

A woven star suspended inside a twisted rope circle with a single bezel-set diamond — designed to survive being worn every day, not kept in a drawer.

Specifications on request

Toi et moi two-stone diamond ring — two round brilliants on a bypass band in white gold, worn on the hand
Bridal · two-stone

Toi et moi, two round brilliants

Two stones set shoulder to shoulder on a slim bypass band — no halo, no shoulder pavé, nothing to distract from the pair.

Specifications on request

Wide princess-cut diamond band with pavé edges, worn on the hand
Anniversary · band

Wide princess-cut band, pavé rails

A run of princess cuts held between two pavé edges, built wide enough to wear alone on the right hand.

Specifications on request

Pear-shape diamond in a pavé halo with a diamond-set shank, worn on the hand
Bridal · halo

Pear halo with a diamond shank

Hand-set halo around a pear center, pavé carried down the shank so the ring reads as one continuous line on the finger.

Specifications on request

Round diamond line bracelet in white gold worn at the wrist
Everyday · bracelet

Round diamond line bracelet

Four-prong links matched stone for stone and sized to the wrist — the most-repeated commission after engagement rings.

Specifications on request

See these pieces in the collection

Design inquiry

Tell us what you are picturing

Rough ideas are welcome — most clients start with “something like this, but…”. You will hear back within one business day.

Working from an heirloom?

Bring the old piece. We can re-polish, re-cut or reset existing stones, and credit any metal or diamonds we do not use against your commission.

Please tell us your name.
Please enter a valid email address.
Please choose a piece type.
Please choose a budget range.
A sentence or two is plenty.

This form is a demonstration and does not send mail yet. Your inquiry can always reach us directly at info@diamondconciergenj.com.

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Your brief is with us

You will hear back from info@diamondconciergenj.com within one business day, usually with two or three directions to react to.

Follow along

@diamondconciergeinc

New arrivals, client reveals and pieces leaving the bench — posted from the diamond district most weeks.

Round diamond halo engagement ring stacked inside its contoured wedding band, showing how the two sit flushDetail of the round floral diamond cluster pendant, petals and center stone filling the frameSecond view of the matched round brilliant diamond studs showing the posts and backsFace-up macro of a princess-cut diamond in a white pavé halo above a rose gold openwork galleryProfile view of an oval diamond solitaire in yellow gold, showing the hidden halo beneath the center stone and the plain band

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